I’m all about making things fun and easy, but I amaze even myself sometimes. If you are a regular reader, you may know I’m struggling with how to wrap my arms around getting more involved in social justice and learning more about racism and white privilege. You know just small, little things like that to help beat back the Cheeto flea and his turd minions.
Part of the problem is that I think I may have used up most of my intellectual curiosity and prowess in my 20s and 30s, what with my subscriptions to Atlantic Monthly and Harper’s (no, not Harper’s Bazaar, the smarty pants Harper’s). Then family duties called. Lapsed subscriptions were replaced with other reading. While I firmly believe that reading to your children gives them an excellent foundation for being a functioning adult with critical thinking skills, there is also a small part of me that also believes reading the Berenstain Bears 100 times over the course of several years causes permanent damage to a functioning adult’s critical thinking skills. You do your best to pick only the books you can stand to read that many times, but inevitably, the Berenstain Bears book and its kin come into your life, and like the dog who goes right for the person who dislikes dogs, your kid will pick the crap book every time.
So where was I? Right, fun and easy. So the related other part of the problem is that when I try to decide, should I read a depressing book about how messed up institutional racism is? Or the book for my book group, which is non-fiction and usually not quite as depressing as racism, but still serious and requires concentration? Or that trashy historical romance novel I just downloaded for free on Hoopla?
Guess who wins? I know. I’m the worst. Blame the Berenstain Bears.
But I’m nothing, if not wily and persistent. I had read the last historical novel by the white writer I liked and when I tried several new ones, based on Hoopla suggestions, I couldn’t get through them. I may read historical romance novels, but I do have some standards. The heaving bosoms need to belong to a strong female character and need to be part of an interesting historical plot that is based on truth. I went through many lists of writers, and one of the suggestions included a Black historical romance writer, Beverly Jenkins.
Well, hey now. Could I get a two-fer out of this? I need to learn more Black history anyway, and the book I’m currently reading Remaking Black Power: How Black Women Transformed an Era, is quite educational, and I’ve been stuck on page 36 for a while now. I know, I know, I’m the absolute worst. But I have a mission to fulfill, so I downloaded a book called Vivid. Vivid is a female physician of color who travels from California to a Black community in Grayson Cove, Michigan; they need a doctor and no one else will hire her in 1876. They also only hire her because they think she’s a man–she uses the “no first names” trick.
(As a side note, I just saw “On the Basis of Sex,” the movie about the early career of Justice Ruth Bader Ginsburg, who nearly 100 years later after Vivid, made it into Harvard Law School and was top of her class, only to also not get hired. So, you know, there’s that. But the movie is good, so go see it, my fellow snowflakes!)
Vivid is well-written, entertaining, and not only chock full of historical details of Black people in the 1876, Beverly also lists pages of resource material at the end of the book. Paydirt! There really were Black women doctors in the 1800s, and there were all-Black communities being established in the U.S. Sadly for my gay friends, they are no gay characters in these books, but if I find any good gay historical romances, I’ll let you know. Most of Beverly’s books I’ve read take place in all-Black communities, or in cities like Philadelphia because, as she notes in the end of one of the books, it played an important role in the Black race’s history. I’ve read about the 1800s and the establishment of the African Methodist Episcopal church, middle class households, ranching out west, poets and writers, and more. In other words, I’ve read about human beings being human and their specific struggles because of their color.
One of my favorites, Midnight, is set in Boston on the verge of the Revolutionary War. In it the main free male character talks about being captured by the British navy and being forced into naval service–it’s called impressment and was legal in Britain at the time. And you know those Brits–they like to carry their rules around with them to other countries, whether the other countries agree or not. Not long after reading about it, I was able to tear myself away from fascinating Beverly to my read book group book, Heirs of the Founders, by H.W. Brands, about the second generation of American politicians. An early chapter describes how in 1812 two elder statesman, Henry Clay and John Calhoun, were trying to persuade their congressional colleagues and President Madison to wage war against Britain in response to many transgressions against American sovereignty, including, you guessed it, impressment.
So, I rest my case. And I know I can’t be satisfied with just Beverly and her meticulously research novels and heaving bosoms, sigh. I’ve got more reading to do, and I also signed up for class in January called, “White People Challenging Racism.” But for the moment, I need to find out what is going to happen in the next installment of the Grayson Cove, Michigan town. Seems were going to learn more about Dr. Vivid’s brother-in-law, Eli.
And, thank you Beverly, for your wonderful books. Here is a brief bio from Wikipedia: “Beverly Jenkins (born 1951, Detroit) is an American author of historical and contemporary romance novels with a particular focus on 19th century African-American life.[1] Jenkins was a 2013 NAACP Image Award nominee and, in 1999, was voted one of the Top 50 Favorite African-American writers of the 20th century by the African American Literature Book Club.[2] Jenkins’s historical romances are set during a period of African-American history that she believes is often overlooked. This made it difficult to break into publishing because publishers weren’t sure what to do with stories that involved African-Americans but not slavery.[3]“
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