Category Archives: social justice

Let Us Now Praise Spike Lee

Today I want to sing the praises of Spike Lee. I have been a big fan of his work since I saw “She’s Gotta have It” in 1986. As I started to write this blog, I felt like I was repeating myself, which is either a sign I’ve written about him before and forgot (plausible), or I keep writing about him in my head, and I can’t access my Jedi powers well enough to just transmit that to the blog without typing (also semi-plausible and a writer’s occupational hazard). I  searched my posts, and so far I have only mentioned him a few times. So this is way overdue.

I’m so happy that he and his fellow writers (Kevin Willmott, David Rabinowitz, and Charlie Wachtell), won an Oscar for best adapted screenplay for “BlacKkKlansman”; the movie is based on a true story of a Black undercover cop in the 70s who infiltrated the KKK using his white voice (echoes of “Sorry to Bother You”) and his white, Jewish partner. I never watch these award shows — they make me stay up too late for movies that I like, don’t like, or won’t be seeing. What do I care if they win a prize? And that’s not just the sour grapes talking because the movies I like don’t often win awards — like most of Spike Lee’s movies. I know some people don’t even watch it for the movies, but for the fashion, which it also lost on me. Nice dress! Weird dress! Red dress! Repeat!

I tend to tune the whole thing out, so as it happens, I learned Spike Lee won by reading about the comments about his acceptance speech. That’s kind of messed up, but here we are. This broke down in two ways: white people — He’s too political! He’s racist! (Because apparently talking about race is racist.) He’s using the platform inappropriately! And of course Cheeto flea had to tweet his illiterate nonsense. The Black people were more like: Yes! Thank you, Spike! We love you! Actually I think they said it in a cooler way, that was me white paraphrasing.

Now I was intrigued. Hmmmm. What did that fiery artist say now? He has always been outspoken about race and social justice — have you seen the pivotal scene near the end of “Do the Right Thing” where his usually non-threatening character has to decide — does he join a riot prompted by the unjust death of a Black man in his neighborhood or hold back and not destroy the pizza shop window of his white employer? As I was leaving the theater after that movie, all the black people were pumped up, and all the white people looked pale and uncomfortable. As they should. Spike has been telling us what’s what for more than 30 years now, He’s directed more than 24 movies and produced and created even more short films and documentaries. There’s even a Netflix series, based on the movie “She’s Gotta have It,” but I haven’t seen it — I’m experiencing FOMMM (fear of messing with my movie).

What does my artistic role model and inspiration have to say now in 2019, such as we are? I watched the clip, with some anticipation.

And there he was, a man of middle age, gripping a piece of paper, visibly shaking and doing his best to speak the Truth in his allotted time of almost 3 minutes. And what did he say that got some people’s panties in a twist? Calling on remembering the slave ancestors and the sacrifices they made. He named his grandmother, the daughter of a slave and graduate of Spelman College, and thanked her for saving her social security checks so he could go to Morehouse and NYU. She called him Spikey Poo. He called for remembering the genocide of the native people and said connecting with our ancestors would bring us wisdom and help us regain our humanity. Oh, and there was a bit about 2020 presidential election being right around the corner: “Make the moral choice between love versus hate.” Then he said “Do the Right Thing,” and he laughed, “You know I had to get that in there!”

So, yes, it was altogether shockingly … calm? Inspiring? Heartfelt with personal thanks to his grandma? Funny? Similar to what any non-Trump supporter is saying about 2020? Rooted in facts that are already established? Yes, Black people were brought here from Africa as slaves, Natives were definitely killed en masse, and there is documented hate going around.

I can totally see how shouting out to your grandmother is really just wasting people’s time with useless personal thanks. Thank your industry buds, your spouse, and move it along.

None of it matters. Spike Lee, after 5 nominations finally was recognized for the work he has been doing tirelessly, with integrity, honesty, and passion. Thanks Spike for your inspiration and for setting this white girl on a path of better understanding 30 years ago about what it means to be Black in America. And thank you for doing it with humor, music, clear-eyed Truth, and without apology. I’m going to watch your video again and get to work.

 

Nod to Elton John: This Blog Has No Title

I’ve been sitting here trying to find a pithy title to this blog. And then Elton John’s song popped in my head:  This Song Has No Title.   When I say popped, I mean up from the recesses of my adolescent brain. I haven’t thought about this song in years, but the album it’s on, Yellow Brick Road, is part of the soundtrack of my youth — it was etched into me before I understood music could do that. It was my sister’s album, and she listened to it a lot. And I loved the double album artwork, so I as I gazed at it and read the lyrics, I listened to it when she wasn’t there. As I listened to the song just now, after at least 40 years, I air pianoed in all the right places. It seems relevant still:

“And each day I learn just a little bit more
I don’t know why but I do know what for
If we’re all going somewhere let’s get there soon
Oh this song’s got no title just words and a tune”

I’m stalling. I’ve been taking a class called “White People Challenging Racism: Moving from Talk to Action,” and just so there is no misunderstanding, we’re against racism and are looking at our white privilege. The way it’s worded and in today’s Cheeto flea world, I want to confirm that it doesn’t mean we are challenging the legitimacy of racism. So all you MAGA people, move up or move on back. Preferably get a clue, but that’s probably not gonna happen. And Black folks, we’re trying to work out our white junk so we can be better allies to you and make sure our baggage fits in the overhead compartment.

And I want to talk about it, but it’s messing with my head, making me look for words, which for a writer is like being a carpenter without wood. I’m angry, sad, puzzled, tired, exposed, struggling. Where the hell is the wood?

I’m a good white person. I need you to know that, and that’s part of the problem, see? This isn’t about good white person = non-racist. I can be a good person and still have racist ideas and thoughts and assumptions. And I’m squirming and struggling against the idea like one of Pepe Le Pew’s victims. I had the great fortune of having a best friend in college who let me into her Black world. I am an empathetic person by nature. I got it, I believed it when she told me how life was for her being Black. We analyzed when she was a new lawyer at a big Boston firm. Was the interaction because she Black? a woman? Low lawyer on the ladder?

I grew up working class, from immigrants. First generation on one side, 2nd on the other. College was a goal, not a given. I worked all during college, two of those years about 30 hours a week. I graduated with tons of loans, worked in nonprofits — a professional who was not out to make money, but a difference. I did not own property until I was 37. It was in an affordable, but less desirable Boston-area town. My then husband and I didn’t have parents who could give us a down payment, so we took the money out from our 403Bs.

I know white privilege exists on a systemic level. I can’t have listened to a Black person’s experience and doubted it. Ah, so comfy, from my “less privileged” place. I didn’t have money or social standing. I’m good, I’m cool, right? I’m not like those clueless rich white people. Am I?

I defer to my alter ego Blanche, because she likes to laugh at me when I’m being stupid. She sits at the bar drinking gin and taking long contemplative drags on her ciggies.

Blanchesmoking

Poor, Blanche. She just fell off her stool, she’s laughing so hard. Luckily, she’s a tough bird. She’ll be OK. Plus, she likes laughing at me, so she wants nothing better than to get on that stool and in position for my next misstep.

Blanche says, “You’re white, girlie. Hide behind your ‘working class, immigrant’ shield all you want. The fact is, no one has followed your sorry ass in a store, even when you had no money to spend. No one ever thought at work that you were only there because of affirmative action. Once they meet you, your coffee slurping may annoy them, but that’s just being a bad office mate. You uncomfortable? That’s sounds about right.”

Blanch takes a long drag on her ciggie and looks me in the eye as she stubs it out, “You ain’t perfect, babe, let it ride. I’ll stop laughing when you talk sense.” She downs her shot and slams it on the bar. “Or not,” her smokey, throaty laugh echoes in stale air.

 

 

 

 

 

 

 

 

Northern Exposure: Same as It Ever Was

I was a big fan of Northern Exposure (1990-1995). My all-time favorite episode centers on main character half-Native Alaskan Ed and his insecurity — which is embodied in a little green man representing Low Self-Esteem, who lives with different types of other personal demons in a makeshift camp. He shows up unexpectedly to sabotage Ed when he tries to ask a girl out or help a patient in his apprentice shaman practice. In another episode, Ed goes back to the camp to fight his patient’s demon, External Validation. Of course, that demon lives in a fancy trailer, has an expensive car, and is dressed like a GQ model. I always the loved the idea of reducing your insecurities, which sometimes seem like big intractable monsters, to an annoying person you can laugh at and who lives with a lot of other dysfunctional, annoying people in a camp. You wouldn’t let that person have power over you, would you?

When I realized the show aired nearly 30 years ago, (WTF?), I thought I should try to rewatch the episode to make sure I remembered it correctly. I mean that could never happen, right?

If you are a fan, I’m sorry to say no one is streaming it right now. From what I could find out, it’s a music rights thing, which seems to hold back a lot of good shows. Don’t get me started. A few years back I wanted to rewatch the Ken Burns documentary, “Eyes on the Prize,” on the Civil Rights movement, but it wasn’t available … because of the music rights. Even now, it’s not widely available. Dear music industry, they paid you to use the music before, it’s not like they stole it. Just figure it out!

Back to the annoyance at hand — Northern Exposure. A revival is being discussed, but I don’t need to see them 30 years later. Although maybe that will get the ball rolling on streaming the original. I did find my favorite episode online on a somewhat sketchily named website called “The Internet Archive.” I started getting a lot of weird spam afterward, but I’m sure that’s a coincidence or just the Russians poking around. The really important thing was that not only was the episode as I remembered, it was even better — great writing, interesting and quirky characters, and tackling themes that are still relevant, which is kinda cool and kinda depressing. This shit is still not fixed, people.

The premise is that a new doctor Joel Fleischman from NYC needs to work for 3 years in a rural area to forgive his medical school loans. He gets assigned to the tiny Alaskan town of Cicely. But this show became so much more than its “fish out of water” premise. As soon as I discovered the episodes online, they were taken down. However, this is one of those rare times being old school is useful. I still own a DVD player and have a library card. Three cheers for libraries! I borrowed 5 seasons from them, and since they were missing season 6, I bought it, and donated it after I watched it. It was the least I could do.

I had too much fun watching to take a lot of notes on all the great moments, so here are a few highlights that reminded me fiction can be an excellent place to work out some of these tough topics.

Chris and Bernard Stevens

chris and bernanrd

The episodes featuring white philosopher-DJ Chris and his Black half-brother Bernard (pictured above) are really good. They meet by accident and are so alike in so many ways, which mystifies them because they grew up in two different families, in two separate states. They share a birthday and only saw their dad every other year on their birthday. Turns out their dad was a traveling salesman who had 2 different families. In a stereotype buster, Chris’s family is completely dysfunctional and he spent time in jail for theft, while Bernard’s family was functional middle class, and he is an accountant.

The Bernard and Chris episodes tackle a number of aspects of racism, but my favorite was when Chris lost his voice, sort of a career killer for a DJ. Maurice owns the station, is the town’s founder, local blowhard, bigot, and is always scheming how to get his town on the map. Before he even knows if Chris’s voice will return, he asks Bernard if he would consider replacing his brother — they have a similar speaking style and philosophical musings. Bernard calmly tells Maurice he is a racist and a bigot, and enumerates many examples of Maurice’s dismissive and insulting behavior. He also calls Maurice out for not even waiting to see if Chris will get better. Bernard pauses and lets Maurice sweat a bit and shift uncomfortably.  Then Bernard says, “But yeah, I’ll consider your offer.” Chris gets better.

Maggie O’Connell and Jane Harris

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In another episode, Maggie the bush pilot has an argument with the new teacher, Jane (pictured above), a former military aerial tanker pilot, who says women shouldn’t fly in combat. Maggie, an unapologetic feminist is incensed that another woman — especially a fellow pilot — could say women don’t have the emotional fortitude to fly combat. They have several rounds of very heated discussions, with neither giving an inch. Finally, Maggie realizes that just because they are both women doesn’t mean they will agree on everything. She decides to apologize, and they agree to disagree. What a concept. Could we have more of that please? You know, anytime one of the 51% of white women who voted for Trump want to apologize, I’ll do my best to accept it.

Adam, Town Hermit

adam

Adam (pictured above), a recurring character, is a barefoot paranoid curmudgeon hermit, who is also a classically trained chef, and may or may not be a pathological liar. Because his character is so on the social fringe, he gets to make a lot of social commentary. A stand out episode that caught my attentions talks about entitlement. He points out that the constitution does not say we’re entitled to be happy; we’re only guaranteed the pursuit of happiness. Which, of course, in our country most often applies to the white people, who are also often the most confused about this, thinking they are actually entitled to happiness. Go unpack that, and I’ll meet you back here in a couple of months.

Maurice Minnifield

maurice

And then there was this scene, which sucker-punched me. Chris is afraid of needles, but Maurice (pictured above) ignores it and forces him to give blood during the annual drive because he bet $1,000 that Cicely would collect more blood than the rival, neighboring town. He’d lost the bet the previous year and was humiliated at the annual Tundra Sons Lunch (Think Alaskan male version of the Daughters of the American Revolution). Maurice, a driven ex-astronaut, is the pinnacle of a successful businessman, and he sputters with all of the outrage of a privileged white man obsessed with winning, “If they [the rival town] pledge 500 pints, we’ll do 501. Then we’ll see who’s smiling at the Tundra’s Son Lunch!”

To which Chris responds, deadpan: “And we wonder what makes America so great, huh?”

Yeah. That.

 

 

It’s Quite Vivid

I’m all about making things fun and easy, but I amaze even myself sometimes. If you are a regular reader, you may know I’m struggling with how to wrap my arms around getting more involved in social justice and learning more about racism and white privilege. You know just small, little things like that to help beat back the Cheeto flea and his turd minions.

Part of the problem is that I think I may have used up most of my intellectual curiosity and prowess in my 20s and 30s, what with my subscriptions to Atlantic Monthly and Harper’s (no, not Harper’s Bazaar, the smarty pants Harper’s). Then family duties called. Lapsed subscriptions were replaced with other reading. While I firmly believe that reading to your children gives them an excellent foundation for being a functioning adult with critical thinking skills, there is also a small part of me that also believes reading the Berenstain Bears 100 times over the course of several years causes permanent damage to a functioning adult’s critical thinking skills. You do your best to pick only the books you can stand to read that many times, but inevitably, the Berenstain Bears book and its kin come into your life, and like the dog who goes right for the person who dislikes dogs, your kid will pick the crap book every time.

So where was I? Right, fun and easy. So the related other part of the problem is that when I try to decide, should I read a depressing book about how messed up institutional racism is? Or the book for my book group, which is non-fiction and usually not quite as depressing as racism, but still serious and requires concentration? Or that trashy historical romance novel I just downloaded for free on Hoopla?

Guess who wins? I know. I’m the worst. Blame the Berenstain Bears.

But I’m nothing, if not wily and persistent. I had read the last historical novel by the white writer I liked and when I tried several new ones, based on Hoopla suggestions, I couldn’t get through them. I may read historical romance novels, but I do have some standards. The heaving bosoms need to belong to a strong female character and need to be part of an interesting historical plot that is based on truth. I went through many lists of writers, and one of the suggestions included a Black historical romance writer, Beverly Jenkins.

Well, hey now. Could I get a two-fer out of this? I need to learn more Black history anyway, and the book I’m currently reading Remaking Black Power: How Black Women Transformed an Era, is quite educational, and I’ve been stuck on page 36 for a while now. I know, I know, I’m the absolute worst. But I have a mission to fulfill, so I downloaded a book called Vivid. Vivid is a female physician of color who travels from California to a Black community in Grayson Cove, Michigan; they need a doctor and no one else will hire her in 1876. They also only hire her because they think she’s a man–she uses the “no first names” trick.

(As a side note, I just saw “On the Basis of Sex,” the movie about the early career of Justice Ruth Bader Ginsburg, who nearly 100 years later after Vivid, made it into Harvard Law School and was top of her class, only to also not get hired. So, you know, there’s that. But the movie is good, so go see it, my fellow snowflakes!)

Vivid is well-written, entertaining, and not only chock full of historical details of Black people in the 1876,  Beverly also lists pages of resource material at the end of the book. Paydirt! There really were Black women doctors in the 1800s, and there were all-Black communities being established in the U.S. Sadly for my gay friends, they are no gay characters in these books, but if I find any good gay historical romances, I’ll let you know. Most of Beverly’s books I’ve read take place in all-Black communities, or in cities like Philadelphia because, as she notes in the end of one of the books, it played an important role in the Black race’s history. I’ve read about the 1800s and the establishment of the African Methodist Episcopal church, middle class households, ranching out west, poets and writers, and more. In other words, I’ve read about human beings being human and their specific struggles because of their color.

One of my favorites, Midnight, is set in Boston on the verge of the Revolutionary War. In it the main free male character talks about being captured by the British navy and being forced into naval service–it’s called impressment and was legal in Britain at the time. And you know those Brits–they like to carry their rules around with them to other countries, whether the other countries agree or not. Not long after reading about it, I was able to tear myself away from fascinating Beverly to my read book group book, Heirs of the Founders, by H.W. Brands, about the second generation of American politicians. An early chapter describes how in 1812 two elder statesman, Henry Clay and John Calhoun, were trying to persuade their congressional colleagues and President Madison to wage war against Britain in response to many transgressions against American sovereignty, including, you guessed it, impressment.

So, I rest my case. And I know I can’t be satisfied with just Beverly and her meticulously research novels and heaving bosoms, sigh. I’ve got more reading to do, and I also signed up for class in January called, “White People Challenging Racism.” But for the moment, I need to find out what is going to happen in the next installment of the Grayson Cove, Michigan town. Seems were going to learn more about Dr. Vivid’s brother-in-law, Eli.

And, thank you Beverly, for your wonderful books. Here is a brief bio from Wikipedia: “Beverly Jenkins (born 1951, Detroit) is an American author of historical and contemporary romance novels with a particular focus on 19th century African-American life.[1] Jenkins was a 2013 NAACP Image Award nominee and, in 1999, was voted one of the Top 50 Favorite African-American writers of the 20th century by the African American Literature Book Club.[2] Jenkins’s historical romances are set during a period of African-American history that she believes is often overlooked. This made it difficult to break into publishing because publishers weren’t sure what to do with stories that involved African-Americans but not slavery.[3]

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Top 5 for 2018, Cuz We’re All in Hurry

I usually do a top 10 or top 11, because it amuses me, but this year I just have time for 5, but I’m guessing you won’t mind. You’ve got things to do too, don’t you. I just want to say thank you for reading in 2018, thank you if you’ve been reading longer than that (check is in the mail, I swear), and thank you for continuing to read in 2019, if you are so moved. I love that two pieces I wrote eons ago continue to get readership–it cracks me up and lifts me up : Jilted by My Hairdresser—Twice and Shaving, Waxing, Electrocution: A Primer on Women’s War on Hair. I just realized they are both about hair, one flippant and one serious. So we must all have a thing about hair–hmmmm. Food for thought for 2019. Or maybe hair for thought.

Happy new year and here’s to making 2019 better than 2018. The bar is pretty low, people.

Anyway, here are the top 5 posts for 2018. I swear I’m not insulted that they aren’t all from this year. That’s cool. Really. Fine, I’ll work harder next year!

5. Wine Whine  : So I’m guessing you all like wine, and that’s why I like you. Some of you are sommeliers, and more power to you. Me? I’m a simple girl. Show me your wine rack that’s organized in a way people can decipher and no one gets hurt.

4. X-Files: The Bad Boyfriend I Can’t Leave : This one is the 2nd in the series, so I would be negligent if I didn’t  encourage you to read the first one: Christopher William Carter, You’re Grounded and then #3 X-Files, Fin. The fact that neither of those made the top 5, or the top 10 for that matter, may be an indication that it’s similar to the Star Trek movies: only the even numbered ones are any good. Whatever. If you are an X-File fan, prove it and read them! If not, you’re forgiven. There is a high probability the 2nd one is better than the other 2, but you didn’t hear that from me.

3. It’s a Cute Hamster Week : Not sure why you liked this one better than this one, which was so cute, it hurts: It’s Time for Cuteness. But maybe the cute hamster week, with the hamster hanging on is more relatable than cuteness that hurts. You can be the judge of that.

2. It’s a Marathon, Not a Sprint: So I posted this twice, once in 2017 and again in 2018. I think that makes it a classic. (Hint: you will most likely see it in April 2019–for testing purposed only, I swear. Enjoy!

1. Alpha Flee: OK, so I’m going to pretend that the top post for 2018 is NOT a post I wrote in 2016. I’m going to be flattered you found it. Buried underneath 2.5 YEARS of OTHER FABULOUS POSTS. Did I shout? I didn’t mean to. I’m just SO EXCITED that you found it.  And now that I’ve reread it, you’re right. That is some damn good writing. So you’ve got impeccable taste. I totally knew that.

For the record, my personal favorite for 2018 was the Beocat Epic tale. Long live Sir Beocat!

Happy New Year my loves and see you in 2019.

It’s a Classic

I’d walked by the small sign on a tiny side street in Boston’s Beacon Hill many times on my way home, and always wondered what was behind the door at 37A. Most of Beacon Hill is made up of tiny side streets that barely accommodate cars, so I often feel like I’m travelling back in time and can hear a faint clip clop of horse shoes on cobblestone. The name fed into the time travel: Harvard Musical Association. I rarely saw anyone going in or out, and I wondered if Harvard, which was way across the river, had misplaced a piece of itself.

But that’s what I love about Boston. You could walk on side streets all over town and stumble on these tucked away associations and societies — some still active because of a blue blood trust, some long gone with only a plaque to mark the spot, but all of them tracing their roots back to clip clop on cobblestone.

By chance I got invited to a fundraiser of a friend’s music organization for kids called musiConnects to be held at — you guessed it, the Harvard Music Association. Two-fer! This liberal snowflake would get to support music for kids and find out what’s behind mystery door #57A. My friend asked to pass the invitation to anyone who liked classical music. I was short on time, so didn’t have a chance to drum up anyone to bring. I also wasn’t sure who of my friends liked classical music. I like it myself, once I got over my father’s efforts to push it on us as kids, and I even took some adult ed classes to learn more. It always seemed me to be a type of music that to truly appreciate it requires some knowledge of the interplay of the notes, the vocabulary, the context in which the composers worked. Unlike, say, a kickass Jimi Hendrix guitar riff. It didn’t help that I learned the hard way, you don’t just buy Schubert’s Symphony #4 for an afficionado. They want a recording by this specific symphony, with that guest conductor who was there in 2005, on the occasion of the composer’s 350th birthday.

Jimi playing pretty much anywhere is good stuff.

At least listening to kids playing classical music, I had a better chance of accessing it. I know, I know, symphonies want a broader audience, and I get it, but some of us are still intimidated by the ornate hall and the impeccably dressed musicians. And memories from that one summer concert at the Hatch Shell when a storm blew up suddenly. It delayed the performance for a short time, but also rained, hailed briefly, and then created a spectacular rainbow, which I and my small son enjoyed thoroughly. First we laughed at the crazy weather, then ooed and ahed at the rainbow, all the while getting the stink eye from the older patrons, who seemed to take issue with our glee at mother nature’s interruption.

I had no idea what to expect, but from the moment I entered at 57A, it was pure magic. The door led to a typical winding 1800’s staircase that led to a gorgeous main room. I love how so much space is hidden in these old brownstones. The streets outdoors are actually more cramped than the indoor spaces.

The walls were lined with paintings, of course, and bookcases of musical scores. The association has a storied history, cuz, you know, Boston, complete with a library, free practice rooms for musicians, and having a hand in creating the Boston Symphony Orchestra. As one does. You can read it all on their website. But that was just the appetizer.

The real treat began when muciConnects resident musicians played 5 chamber pieces, all composed by women, in  sets of string quartets, one which included the kids, and another featured a drummer of the tabla, a drum used in North Indian classical music. These professional musicians teach hundreds of Boston kids to read and play chamber music (which is typically played in small groups of 3-6 people). In the process the kids gain confidence and learn collaborative thinking.

I’m not sure what I expected, but the intimate setting and the personal chat the musicians gave about the piece and their experience with it totally flipped everything for me. This wan’t an academic talk, or giving information you could find on Wikipedia. They were speaking of it as a live thing that mattered to them. One musician introduced a piece by Fanny Mendelssohn, sister of the more famous Felix Mendelssohn (but only because he was dude). She said it was a difficult piece and during practice the group struggled with the sound, so they decided to sing the notes instead and that helped them hear it in a different way. If she hadn’t mentioned the difficultly, I might not have appreciated the last movement, which indeed sounded amazing and looked … difficult. The four bows were flying back and forth, up and down, making the notes fell over each other and into each other into a beautiful finale. When they finished the last note they all looked at each other briefly and their eyes and smiles said, “Yes! Nailed it!” And how can you not get excited when the musician says, “This a really fun, energetic piece, I hope you enjoy it as much as we do.” The joy on their faces when they played was as uplifting as the music.

Then the 3 students came up and played with their teacher/musician. The music was simple, but they did so well. They were working hard to watch their teacher and each other, smiling the whole time. The relief (no mistakes!) when it was over was just as sweet.

So what’s behind door #57A? An evening I won’t soon forget. Thanks to the musiConnect kids and their teachers for showing me that classical music actually is accessible, even to a Jimi Henrix fan like me.

 

 

 

 

 

Do It for the Elders

Unless you live under a rock/bubble bigger than mine, which is highly unlikely as it’s one of my minor superpowers, you have heard the request to vote from every crack and crevice of our system. And you’ve most likely heard the very good reasons: make your voice heard, participate in our democracy, save our country from ruin (even though people differ on the definition or ruin, we seem to be able to agree we’re all working toward that goal).

And that is all fine, but in case those reasons don’t do it for you, here’s another: Do it for the elders who single-handedly run our polling systems. At least here in Massachusetts.

I have lived in and voted in 3 different areas in and around Boston: in a city with a mix of college kids, townies, and those from elsewhere who liked it enough to stay; a working class city; and now a bastion of blue snowflakes. What do they have in common? Every poll place is run by people over the age of 70, maybe even 75.

While we’re bellyaching about having to run in there before, after, or during work, or between jobs, or picking up/dropping off kids, or between care giving errands, these badass guardians of our democracy are there from 7 am to 8 pm on election day, and with early voting, on many other days, as well.

So if  you are at least trying to pretend you’re human, you should go out of respect of these elders, many of them grandmas and grandpas. Are you going to diss grandma? Are you that lame?

And if you don’t care about that, are you going to be shown up by a little old man or lady? They can get up early and sit there asking people the same questions for hours, and you can’t manage to take 10 minutes to pop in and vote?

C’mon, don’t be an asshat, just vote! You can always be an asshat later.

And of course all you lovelies who have voted or will, thank you. You’re utterly fantastic, and the badasses approve.

Photo credit: OMF