Category Archives: social justice

Happy Pride, for Reals

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What a difference a couple of years makes! Context truly is everything. Just a few short years ago, my friends and I went to the Gay Pride Parade and complained that it had become too commercial, too long. And where were the outrageous drag queens and the lesbians dressed only in shorts and with duct tape on their nipples? Assimilation comes at a cost, and what happens to a culture when the outsider group, that defines itself as an outsider group, becomes accepted? You have to sit through a 4-hour parade of banks and churches and schools. Like straight people. I’m straight and I couldn’t even take it.

We were so young and foolish then.

Now? Just going to the parade has become a form of protest. This year the weather was perfect.  I called it a Pride Miracle, because we have not had 3 days of beautiful weather in Boston strung together since last year. 2-0-1-8. WTF!?

And there was something about the weather, like a gift, and the long parade, that felt more like caring than commercial. I watched with my friends, Mike, Jonathan, and Ron. After a couple of hours we grabbed lunch and then started walking backwards along the route towards the end. We were now nearly 4 hours into this thing. But the groups just kept coming. We went past the official parade start and there were still groups coming. And Mike summed it up perfectly.

“I’m feeling very moved by all these groups and the support. I feel very safe.”

Nothing is permanent, the acceptance of hard-earned gay rights or the Cheeto flea. But Saturday, under clear blue skies and a warm, welcoming sun, many of us felt safe, and hope.

And PS to the asshat straight men who want their own parade. I will say to you what I said to my son who, at 7 or 8 years old, complained that there is a Mother’s Day and a Father’s Day, so when is Kid’s Day?

I answered, “Kid’s day? You want to know when kid’s day is? Every damn day, that’s when kid’s day is.”

So stop being such craybaby princesses and enjoy your every damn day.

 

We Interrupt This Programming to Breathe

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Just as I was taking a brief rest — Cheeto flea’s ridiculous shenanigans hadn’t escalated to the OMG WTF? level lately — here comes an oldie, but goodie, abortion banning.

Another time I will tell you a story from a long, long time ago, in the 80s, when I spent many hours putting up flyers for pro-choice rallies and hanging out with NARAL members, mostly angry lesbians who cared a lot about the issue, which I was more at risk for than them. I don’t think I ever thanked them (I was young and sheltered and they kind of scared me), so thank you!

I have a thousand other things I want to say, but everyone is already saying them or ignoring them or arguing about them, so I’ll just say this: I have been learning more about racism as a system problem, rather than an individual asshat problem, and that has increased my understanding a lot. If I think it’s an asshat problem, I can say, I’m not an asshat, he’s the racist asshat. He’s the problem. And I can feel good that I’m not an asshat and go on my merry way. But if I can see it is part of a larger system that so big and widespread, I’ve missed it (because I’m only focusing on individual asshats) then, yeah, I can better understand my part in the system and that the system functions outside of my asshatness. Then I can figure out how I am allowing it to happen and how as a white person I am benefiting from it. If that doesn’t make sense or you’d rather have the non-asshat version, read Robin Diangelo’s book, White Fragility. She’s more eloquent about it than I am.

Her book has encouraged me to see the abortion issue in the same light. I could see it as talking about my right to choose or whether a fetus has rights, but that seems to miss some of the point. Regardless of whether you think it’s killing a baby or I think it saves a women’s life, isn’t it weird that a man’s role rarely comes into our discussion? It takes two to tango, doesn’t it? Even someone who only drives the getaway car in a bank robbery is considered an accomplice and can get sentenced; a man’s role in creating a baby sure as hell is a little more involved than that. I know some people don’t give a crap about facts, but I can’t help myself. It is a fact that a man is just as responsible, even culpable if that’s your flavor of viewpoint, in creating life (or a biologic process of cell multiplication). So why aren’t there any penalties for a man who creates life outside of whatever circumstance pro-life people find acceptable? I think that’s kind of a big huge asshat legal blind spot, don’t you? I mean if you’re punishing people for accidentally creating life and then regretting it, and the people who perform the procedure, why stop at the women and clinicians? Why do you think that’s where these bans stop? How might men benefit from a system that only holds women accountable and punishes them for the outcome of sex?

Wait, unless is really isn’t about individual women and men, but more about a system created to do some nasty things to a specific group of women.

An abortion ban mostly controls certain groups of women. Sure, you ban abortion across the board so you seem like you’re being *ahem* “fair.” But the reality is women of means (most of them white) will still have access to an abortion if they need one. And women in the snowflake states will march and use their votes to fight back, keep access, and kick your ass if you come here with your pro-life placards, just sayin’.

So who is left to control? This ban cherry picks women who are poor, women who are Black, women who live in rural areas. These women already have a hard enough time getting access to regular health care to stay healthy for crying out loud. Nevermind, trying to get an abortion.

Now that is a lot of women, don’t you think? You can call them names if you wish to make yourself feel better, to feel like they deserve what they get. But can they really all be asshats who deserve to be punished? All of them? As much as it pains me, even I have to admit that it is statistically impossible for all those white women who voted for Trump to be asshats. Statistically speaking at least 2 or 3 of them must have some good qualities. So an abortion ban ends up specifically targeting certain women, and absolutely 0 men. It hurts and, yes, can even kill these women, whether they are asshats or not.

If you want an abortion ban, then you also have to understand you are also part of the system that is controlling and hurting this vulnerable group of women. You are also turning a blind eye to men’s responsibility in this. You can’t be for an abortion ban and be free of the consequences of how that systemically plays out. I get it, it’s easier to call out a blatantly racist asshat than admit I’m a racist who has been upholding and benefiting from systemic racism by not seeing it. Tracking men folk down who have sex is difficult, if not impossible. It’s easier to just blame and punish women, who have to deal with the reality of pregnancy and who already conveniently come with labels like irresponsible, hussy, and loose. But, see, that is a really asshat thing to do.

Don’t be an asshat.

For my fellow pro-choice snowflakes, let’s breathe together; here are some actions you can take, from a great, well-researched website called Americans of Conscience. Created by Jen Hofmann, it’s a weekly checklist of to dos for people who value democracy, equality, voting, and respect.

▢ Action 9: Support reproductive rights. [h/t Planned Parenthood]

Spread the word: Abortion is still legal in Alabama,Georgia, Ohio, Missouri, and everywhere else for at least six months until newly enacted bans and limits become effective, allowing for legal challenges as is happening in Ohio.
Donate:
Alabama Women’s Center: One of only three abortion providers in the state and the only one providing services up to the state-mandated limit of 20 weeks.
Yellowhammer Fund: Provides financial help for AL residents seeking abortion services.

▢ Action 10: Advocate for women’s equality and health. [h/t MomsRising]

Call: Your one House rep (look up).
Script: Hi. I’m calling from [ZIP] because I believe menstruation is a normal body process. However, the many who lack access to hygienic menstrual products often suffer indignity, miss work or school, and even contract toxic shock syndrome from using makeshift products. The problem severely impacts Incarcerated women. I’d like [NAME] to co-sponsor the Menstrual Equity for All Act (H.R. 1882) to improve access to these essential items.

We now return to our regularly scheduled programming.

Photo and item credits: Etsy

After You

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About one year ago I wrote about an incident that happened at the Museum of Fine Arts (MFA). It was a cool after-hours event with my bestie, Mike, and we were dressed up and having a fun. At one point we were focused on our target — a set of stairs — and like normal urban people made a straight line for them. Without realizing it, we walked between a group of people posing against an elevator wall with art on it and the person who was taking their photo. There wasn’t another way around, only the option to wait, but I didn’t see them. However, piercing my urban fog was a Black woman who suddenly appeared, draped her arm around my shoulders, and said sarcastically, “Congratulations on your white privilege!”

One million thoughts fired through my shocked brain, including, hey, why aren’t you yelling at Mike? He walked ahead of me! (Love you, Mike!) OK, fine, maybe I’m the safer target. That thought was followed by the many ways I am a person who is more racially aware. And also, have been working on to improve. One of my best friends is Bla….Oh, crap. I can’t believe I went there.

OK, how about I’m naturally clueless? My college roommates short-sheeted my bed, and I didn’t even notice. Wait, do people even do that anymore? Argh! And why didn’t you also yell at Mike? Why am I being singled out because I’m white and female…ugh and Argh!

OK, all I got at this point is shock, and so I apologized verbally, and I also bowed with my hands in prayer — maybe they thought I was being sarcastic, or maybe the Japanese people can call me out for appropriating their thing.

This shit is complicated.

But I learned from the white privilege class I took earlier this year that I can be good and racist. Although a part of me insists I was just being my normal clueless urban self. This is what city people do to stay sane. We ignore each other.

Fast forward to a few weeks ago. I was walking with three members of my family, and I was telling them a story as we crossed a big wide open space in the Ruggles train station. It was a Saturday afternoon and fairly empty. Suddenly a Black woman appeared to my right and said loudly. “Excuse me!” She was trying to cross in front of us. Again, my first reaction was, we’re in a city! First come first serve, WTF? Also, there are four of us and one of you. Doesn’t that give us some sort of urban right-of-way? Is that even a thing? You know, democracy, majority rules, blah, blah, blah?

But I kept thinking about the woman at the MFA. Is being urban clueless a good enough excuse today? Was it ever? When I was growing up, people who had fancy boats with bathrooms could just flush their toilets into the water. That was OK then, and now it’s not. Sooo, where’s the line?

Not long ago, I was walking from one work building to another, and at one point the sidewalk narrowed to just wide enough for two people abreast. Two white people were animatedly talking in front of me, and suddenly (it seems I’m hopelessly not paying attention to people, and they are always appearing suddenly!) a Black jogger appeared next to me and behind the couple. He was speaking, but he had something over his mouth. All I can say was that it looked like the mouth part of the old timey World War II gas mask, but without the mask part. I was nearly next to him, and I was having trouble understanding him through that thing. But he must have been on repetition number 3 or 4, because he was mad, and yelling. “Move out of the way! Can’t you see me?” The white guy, on the narrow sidewalk ahead of him, said. “No, I didn’t see you.” The Black man answered, “What? Am I invisible?” Although it sounded more like, “WhamIibbibble?”

Oooooh, boy. I was kind of like, um this sidewalk is too narrow to see behind you and what in God’s name are you wearing? Is this a YouTube prank?

Was this about race? Was it about a narrow sidewalk? Was it about a weird WWII gas mask muffler thingy? Clearly Black people are pissed off, and have every right to be.

Within a few days of that encounter, I was waiting to cross at an intersection near my house. The cross walk is for pedestrians and bikes, and the three converging roads all have stop signs. I’m usually more in danger of getting clipped by the bikes than cars. This day I waited as the car came fast down the street and blew through the stop sign, only slowing down because she was turning the corner. A bike was also coming toward me and went into the street with nary a slowdown. The car jerked to a stop, and the guy on the bike pointed his finger at the driver, and yelled, “Stop sign! Stop sign!”

Now I know why we were told not to point. While it’s somewhat satisfying to point at others, it is also annoying to get pointed at. The bike passed, and the driver merely punched the gas and yelled through her window, gesturing wildly, “I’m driving! I’m driving!” Which I guess was her mistaken attempt to put herself in the right, even though, she so wasn’t.

So, both of them were white. Clearly everyone is pissed off.

It used to be that city people could just ignore each other blissfully, like at an Olympic champion level. We need to go from point A to point B with the straightest line possible. I cut you off, and that’s OK, because you will likely cut me off next time. It’s like an invisible contract we sign. I have lived here for 36 years, and I have not experienced this level of immediate reaction and being so pissed off about everything. And I’m not being all old timey and saying people were more polite back in the day. Hell no. We were rude then, and we’re rude now, it’s just that it took something really rude to get our panties in a twist enough to start yelling. Now everyone is on a hair trigger, and Black people are plain Fed Up.

A realization finally managed to penetrate my white privilege bubble: It’s not enough to look out and see Black people. I have to see everyone.

Of course, I did have my white privilege hissy fit: Why do I have to pay attention? I’m busy! I need to be places — important, urban places! Why can’t you just accept that me ignoring you is an urban thing? If you want to be treated like a princess, go live in the burbs or the country. I’m naturally clueless. Live in my head. Why do I have to change?

But I was going to have to do just that — the unthinkable. I was going to have to be calm, polite, and let other people go first. WTF?!? I told a friend my stories of pissed off people and how I was trying to be more aware in public spaces and let others go first. He asked me if it helped.

At first I said, well, I haven’t gotten yelled at lately. So, yes, it has helped. But then I realized, it also was making me feel better. I have a sensitive nervous system and can be easily be overwhelmed by certain kinds of stimulation, like talking to people, especially strangers. I thought having to always be aware of my surroundings, other than the usual woman ongoing, “strange man in vicinity” alert, would be exhausting. But as I began to do it, I noticed that I don’t have to pay attention all the time. Only at the essential times, such as getting through the train turnstile, or getting on or off the train. I’m not quite at the advanced level of giving up my seat, unless it’s really, really obvious the person needs the seat. I need to see fainting, blood, or obvious pregnancy.

I am making a conscious decision to see others and let them go first. I am trying to be extra nice to Black people — I try to smile in hopes of cancelling out any looks/comments they have gotten to this point in the day.

Is it helping improve this poisonous place we call the U.S. right now? Who knows? I have felt despair, and wanted to do some big grand gesture. That’s great, but it also smacks a bit of white privilege/white savior. It’s not one and done; it’s being there every day and being aware of others, whether I feel like it or not.

At least I haven’t gotten yelled at for past few weeks.

Let Us Now Praise Spike Lee

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Today I want to sing the praises of Spike Lee. I have been a big fan of his work since I saw “She’s Gotta have It” in 1986. As I started to write this blog, I felt like I was repeating myself, which is either a sign I’ve written about him before and forgot (plausible), or I keep writing about him in my head, and I can’t access my Jedi powers well enough to just transmit that to the blog without typing (also semi-plausible and a writer’s occupational hazard). I  searched my posts, and so far I have only mentioned him a few times. So this is way overdue.

I’m so happy that he and his fellow writers (Kevin Willmott, David Rabinowitz, and Charlie Wachtell), won an Oscar for best adapted screenplay for “BlacKkKlansman”; the movie is based on a true story of a Black undercover cop in the 70s who infiltrated the KKK using his white voice (echoes of “Sorry to Bother You”) and his white, Jewish partner. I never watch these award shows — they make me stay up too late for movies that I like, don’t like, or won’t be seeing. What do I care if they win a prize? And that’s not just the sour grapes talking because the movies I like don’t often win awards — like most of Spike Lee’s movies. I know some people don’t even watch it for the movies, but for the fashion, which it also lost on me. Nice dress! Weird dress! Red dress! Repeat!

I tend to tune the whole thing out, so as it happens, I learned Spike Lee won by reading about the comments about his acceptance speech. That’s kind of messed up, but here we are. This broke down in two ways: white people — He’s too political! He’s racist! (Because apparently talking about race is racist.) He’s using the platform inappropriately! And of course Cheeto flea had to tweet his illiterate nonsense. The Black people were more like: Yes! Thank you, Spike! We love you! Actually I think they said it in a cooler way, that was me white paraphrasing.

Now I was intrigued. Hmmmm. What did that fiery artist say now? He has always been outspoken about race and social justice — have you seen the pivotal scene near the end of “Do the Right Thing” where his usually non-threatening character has to decide — does he join a riot prompted by the unjust death of a Black man in his neighborhood or hold back and not destroy the pizza shop window of his white employer? As I was leaving the theater after that movie, all the black people were pumped up, and all the white people looked pale and uncomfortable. As they should. Spike has been telling us what’s what for more than 30 years now, He’s directed more than 24 movies and produced and created even more short films and documentaries. There’s even a Netflix series, based on the movie “She’s Gotta have It,” but I haven’t seen it — I’m experiencing FOMMM (fear of messing with my movie).

What does my artistic role model and inspiration have to say now in 2019, such as we are? I watched the clip, with some anticipation.

And there he was, a man of middle age, gripping a piece of paper, visibly shaking and doing his best to speak the Truth in his allotted time of almost 3 minutes. And what did he say that got some people’s panties in a twist? Calling on remembering the slave ancestors and the sacrifices they made. He named his grandmother, the daughter of a slave and graduate of Spelman College, and thanked her for saving her social security checks so he could go to Morehouse and NYU. She called him Spikey Poo. He called for remembering the genocide of the native people and said connecting with our ancestors would bring us wisdom and help us regain our humanity. Oh, and there was a bit about 2020 presidential election being right around the corner: “Make the moral choice between love versus hate.” Then he said “Do the Right Thing,” and he laughed, “You know I had to get that in there!”

So, yes, it was altogether shockingly … calm? Inspiring? Heartfelt with personal thanks to his grandma? Funny? Similar to what any non-Trump supporter is saying about 2020? Rooted in facts that are already established? Yes, Black people were brought here from Africa as slaves, Natives were definitely killed en masse, and there is documented hate going around.

I can totally see how shouting out to your grandmother is really just wasting people’s time with useless personal thanks. Thank your industry buds, your spouse, and move it along.

None of it matters. Spike Lee, after 5 nominations finally was recognized for the work he has been doing tirelessly, with integrity, honesty, and passion. Thanks Spike for your inspiration and for setting this white girl on a path of better understanding 30 years ago about what it means to be Black in America. And thank you for doing it with humor, music, clear-eyed Truth, and without apology. I’m going to watch your video again and get to work.

 

Nod to Elton John: This Blog Has No Title

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I’ve been sitting here trying to find a pithy title to this blog. And then Elton John’s song popped in my head:  This Song Has No Title.   When I say popped, I mean up from the recesses of my adolescent brain. I haven’t thought about this song in years, but the album it’s on, Yellow Brick Road, is part of the soundtrack of my youth — it was etched into me before I understood music could do that. It was my sister’s album, and she listened to it a lot. And I loved the double album artwork, so I as I gazed at it and read the lyrics, I listened to it when she wasn’t there. As I listened to the song just now, after at least 40 years, I air pianoed in all the right places. It seems relevant still:

“And each day I learn just a little bit more
I don’t know why but I do know what for
If we’re all going somewhere let’s get there soon
Oh this song’s got no title just words and a tune”

I’m stalling. I’ve been taking a class called “White People Challenging Racism: Moving from Talk to Action,” and just so there is no misunderstanding, we’re against racism and are looking at our white privilege. The way it’s worded and in today’s Cheeto flea world, I want to confirm that it doesn’t mean we are challenging the legitimacy of racism. So all you MAGA people, move up or move on back. Preferably get a clue, but that’s probably not gonna happen. And Black folks, we’re trying to work out our white junk so we can be better allies to you and make sure our baggage fits in the overhead compartment.

And I want to talk about it, but it’s messing with my head, making me look for words, which for a writer is like being a carpenter without wood. I’m angry, sad, puzzled, tired, exposed, struggling. Where the hell is the wood?

I’m a good white person. I need you to know that, and that’s part of the problem, see? This isn’t about good white person = non-racist. I can be a good person and still have racist ideas and thoughts and assumptions. And I’m squirming and struggling against the idea like one of Pepe Le Pew’s victims. I had the great fortune of having a best friend in college who let me into her Black world. I am an empathetic person by nature. I got it, I believed it when she told me how life was for her being Black. We analyzed when she was a new lawyer at a big Boston firm. Was the interaction because she Black? a woman? Low lawyer on the ladder?

I grew up working class, from immigrants. First generation on one side, 2nd on the other. College was a goal, not a given. I worked all during college, two of those years about 30 hours a week. I graduated with tons of loans, worked in nonprofits — a professional who was not out to make money, but a difference. I did not own property until I was 37. It was in an affordable, but less desirable Boston-area town. My then husband and I didn’t have parents who could give us a down payment, so we took the money out from our 403Bs.

I know white privilege exists on a systemic level. I can’t have listened to a Black person’s experience and doubted it. Ah, so comfy, from my “less privileged” place. I didn’t have money or social standing. I’m good, I’m cool, right? I’m not like those clueless rich white people. Am I?

I defer to my alter ego Blanche, because she likes to laugh at me when I’m being stupid. She sits at the bar drinking gin and taking long contemplative drags on her ciggies.

Blanchesmoking

Poor, Blanche. She just fell off her stool, she’s laughing so hard. Luckily, she’s a tough bird. She’ll be OK. Plus, she likes laughing at me, so she wants nothing better than to get on that stool and in position for my next misstep.

Blanche says, “You’re white, girlie. Hide behind your ‘working class, immigrant’ shield all you want. The fact is, no one has followed your sorry ass in a store, even when you had no money to spend. No one ever thought at work that you were only there because of affirmative action. Once they meet you, your coffee slurping may annoy them, but that’s just being a bad office mate. You uncomfortable? That’s sounds about right.”

Blanch takes a long drag on her ciggie and looks me in the eye as she stubs it out, “You ain’t perfect, babe, let it ride. I’ll stop laughing when you talk sense.” She downs her shot and slams it on the bar. “Or not,” her smokey, throaty laugh echoes in stale air.

 

 

 

 

 

 

 

 

Northern Exposure: Same as It Ever Was

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I was a big fan of Northern Exposure (1990-1995). My all-time favorite episode centers on main character half-Native Alaskan Ed and his insecurity — which is embodied in a little green man representing Low Self-Esteem, who lives with different types of other personal demons in a makeshift camp. He shows up unexpectedly to sabotage Ed when he tries to ask a girl out or help a patient in his apprentice shaman practice. In another episode, Ed goes back to the camp to fight his patient’s demon, External Validation. Of course, that demon lives in a fancy trailer, has an expensive car, and is dressed like a GQ model. I always the loved the idea of reducing your insecurities, which sometimes seem like big intractable monsters, to an annoying person you can laugh at and who lives with a lot of other dysfunctional, annoying people in a camp. You wouldn’t let that person have power over you, would you?

When I realized the show aired nearly 30 years ago, (WTF?), I thought I should try to rewatch the episode to make sure I remembered it correctly. I mean that could never happen, right?

If you are a fan, I’m sorry to say no one is streaming it right now. From what I could find out, it’s a music rights thing, which seems to hold back a lot of good shows. Don’t get me started. A few years back I wanted to rewatch the Ken Burns documentary, “Eyes on the Prize,” on the Civil Rights movement, but it wasn’t available … because of the music rights. Even now, it’s not widely available. Dear music industry, they paid you to use the music before, it’s not like they stole it. Just figure it out!

Back to the annoyance at hand — Northern Exposure. A revival is being discussed, but I don’t need to see them 30 years later. Although maybe that will get the ball rolling on streaming the original. I did find my favorite episode online on a somewhat sketchily named website called “The Internet Archive.” I started getting a lot of weird spam afterward, but I’m sure that’s a coincidence or just the Russians poking around. The really important thing was that not only was the episode as I remembered, it was even better — great writing, interesting and quirky characters, and tackling themes that are still relevant, which is kinda cool and kinda depressing. This shit is still not fixed, people.

The premise is that a new doctor Joel Fleischman from NYC needs to work for 3 years in a rural area to forgive his medical school loans. He gets assigned to the tiny Alaskan town of Cicely. But this show became so much more than its “fish out of water” premise. As soon as I discovered the episodes online, they were taken down. However, this is one of those rare times being old school is useful. I still own a DVD player and have a library card. Three cheers for libraries! I borrowed 5 seasons from them, and since they were missing season 6, I bought it, and donated it after I watched it. It was the least I could do.

I had too much fun watching to take a lot of notes on all the great moments, so here are a few highlights that reminded me fiction can be an excellent place to work out some of these tough topics.

Chris and Bernard Stevens

chris and bernanrd

The episodes featuring white philosopher-DJ Chris and his Black half-brother Bernard (pictured above) are really good. They meet by accident and are so alike in so many ways, which mystifies them because they grew up in two different families, in two separate states. They share a birthday and only saw their dad every other year on their birthday. Turns out their dad was a traveling salesman who had 2 different families. In a stereotype buster, Chris’s family is completely dysfunctional and he spent time in jail for theft, while Bernard’s family was functional middle class, and he is an accountant.

The Bernard and Chris episodes tackle a number of aspects of racism, but my favorite was when Chris lost his voice, sort of a career killer for a DJ. Maurice owns the station, is the town’s founder, local blowhard, bigot, and is always scheming how to get his town on the map. Before he even knows if Chris’s voice will return, he asks Bernard if he would consider replacing his brother — they have a similar speaking style and philosophical musings. Bernard calmly tells Maurice he is a racist and a bigot, and enumerates many examples of Maurice’s dismissive and insulting behavior. He also calls Maurice out for not even waiting to see if Chris will get better. Bernard pauses and lets Maurice sweat a bit and shift uncomfortably.  Then Bernard says, “But yeah, I’ll consider your offer.” Chris gets better.

Maggie O’Connell and Jane Harris

4-15-jane-tomahawk3

In another episode, Maggie the bush pilot has an argument with the new teacher, Jane (pictured above), a former military aerial tanker pilot, who says women shouldn’t fly in combat. Maggie, an unapologetic feminist is incensed that another woman — especially a fellow pilot — could say women don’t have the emotional fortitude to fly combat. They have several rounds of very heated discussions, with neither giving an inch. Finally, Maggie realizes that just because they are both women doesn’t mean they will agree on everything. She decides to apologize, and they agree to disagree. What a concept. Could we have more of that please? You know, anytime one of the 51% of white women who voted for Trump want to apologize, I’ll do my best to accept it.

Adam, Town Hermit

adam

Adam (pictured above), a recurring character, is a barefoot paranoid curmudgeon hermit, who is also a classically trained chef, and may or may not be a pathological liar. Because his character is so on the social fringe, he gets to make a lot of social commentary. A stand out episode that caught my attentions talks about entitlement. He points out that the constitution does not say we’re entitled to be happy; we’re only guaranteed the pursuit of happiness. Which, of course, in our country most often applies to the white people, who are also often the most confused about this, thinking they are actually entitled to happiness. Go unpack that, and I’ll meet you back here in a couple of months.

Maurice Minnifield

maurice

And then there was this scene, which sucker-punched me. Chris is afraid of needles, but Maurice (pictured above) ignores it and forces him to give blood during the annual drive because he bet $1,000 that Cicely would collect more blood than the rival, neighboring town. He’d lost the bet the previous year and was humiliated at the annual Tundra Sons Lunch (Think Alaskan male version of the Daughters of the American Revolution). Maurice, a driven ex-astronaut, is the pinnacle of a successful businessman, and he sputters with all of the outrage of a privileged white man obsessed with winning, “If they [the rival town] pledge 500 pints, we’ll do 501. Then we’ll see who’s smiling at the Tundra’s Son Lunch!”

To which Chris responds, deadpan: “And we wonder what makes America so great, huh?”

Yeah. That.

 

 

It’s Quite Vivid

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I’m all about making things fun and easy, but I amaze even myself sometimes. If you are a regular reader, you may know I’m struggling with how to wrap my arms around getting more involved in social justice and learning more about racism and white privilege. You know just small, little things like that to help beat back the Cheeto flea and his turd minions.

Part of the problem is that I think I may have used up most of my intellectual curiosity and prowess in my 20s and 30s, what with my subscriptions to Atlantic Monthly and Harper’s (no, not Harper’s Bazaar, the smarty pants Harper’s). Then family duties called. Lapsed subscriptions were replaced with other reading. While I firmly believe that reading to your children gives them an excellent foundation for being a functioning adult with critical thinking skills, there is also a small part of me that also believes reading the Berenstain Bears 100 times over the course of several years causes permanent damage to a functioning adult’s critical thinking skills. You do your best to pick only the books you can stand to read that many times, but inevitably, the Berenstain Bears book and its kin come into your life, and like the dog who goes right for the person who dislikes dogs, your kid will pick the crap book every time.

So where was I? Right, fun and easy. So the related other part of the problem is that when I try to decide, should I read a depressing book about how messed up institutional racism is? Or the book for my book group, which is non-fiction and usually not quite as depressing as racism, but still serious and requires concentration? Or that trashy historical romance novel I just downloaded for free on Hoopla?

Guess who wins? I know. I’m the worst. Blame the Berenstain Bears.

But I’m nothing, if not wily and persistent. I had read the last historical novel by the white writer I liked and when I tried several new ones, based on Hoopla suggestions, I couldn’t get through them. I may read historical romance novels, but I do have some standards. The heaving bosoms need to belong to a strong female character and need to be part of an interesting historical plot that is based on truth. I went through many lists of writers, and one of the suggestions included a Black historical romance writer, Beverly Jenkins.

Well, hey now. Could I get a two-fer out of this? I need to learn more Black history anyway, and the book I’m currently reading Remaking Black Power: How Black Women Transformed an Era, is quite educational, and I’ve been stuck on page 36 for a while now. I know, I know, I’m the absolute worst. But I have a mission to fulfill, so I downloaded a book called Vivid. Vivid is a female physician of color who travels from California to a Black community in Grayson Cove, Michigan; they need a doctor and no one else will hire her in 1876. They also only hire her because they think she’s a man–she uses the “no first names” trick.

(As a side note, I just saw “On the Basis of Sex,” the movie about the early career of Justice Ruth Bader Ginsburg, who nearly 100 years later after Vivid, made it into Harvard Law School and was top of her class, only to also not get hired. So, you know, there’s that. But the movie is good, so go see it, my fellow snowflakes!)

Vivid is well-written, entertaining, and not only chock full of historical details of Black people in the 1876,  Beverly also lists pages of resource material at the end of the book. Paydirt! There really were Black women doctors in the 1800s, and there were all-Black communities being established in the U.S. Sadly for my gay friends, they are no gay characters in these books, but if I find any good gay historical romances, I’ll let you know. Most of Beverly’s books I’ve read take place in all-Black communities, or in cities like Philadelphia because, as she notes in the end of one of the books, it played an important role in the Black race’s history. I’ve read about the 1800s and the establishment of the African Methodist Episcopal church, middle class households, ranching out west, poets and writers, and more. In other words, I’ve read about human beings being human and their specific struggles because of their color.

One of my favorites, Midnight, is set in Boston on the verge of the Revolutionary War. In it the main free male character talks about being captured by the British navy and being forced into naval service–it’s called impressment and was legal in Britain at the time. And you know those Brits–they like to carry their rules around with them to other countries, whether the other countries agree or not. Not long after reading about it, I was able to tear myself away from fascinating Beverly to my read book group book, Heirs of the Founders, by H.W. Brands, about the second generation of American politicians. An early chapter describes how in 1812 two elder statesman, Henry Clay and John Calhoun, were trying to persuade their congressional colleagues and President Madison to wage war against Britain in response to many transgressions against American sovereignty, including, you guessed it, impressment.

So, I rest my case. And I know I can’t be satisfied with just Beverly and her meticulously research novels and heaving bosoms, sigh. I’ve got more reading to do, and I also signed up for class in January called, “White People Challenging Racism.” But for the moment, I need to find out what is going to happen in the next installment of the Grayson Cove, Michigan town. Seems were going to learn more about Dr. Vivid’s brother-in-law, Eli.

And, thank you Beverly, for your wonderful books. Here is a brief bio from Wikipedia: “Beverly Jenkins (born 1951, Detroit) is an American author of historical and contemporary romance novels with a particular focus on 19th century African-American life.[1] Jenkins was a 2013 NAACP Image Award nominee and, in 1999, was voted one of the Top 50 Favorite African-American writers of the 20th century by the African American Literature Book Club.[2] Jenkins’s historical romances are set during a period of African-American history that she believes is often overlooked. This made it difficult to break into publishing because publishers weren’t sure what to do with stories that involved African-Americans but not slavery.[3]“

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