Hot day, day off. Was at the beach, hope you all had a great weekend!
Because I’m not acknowledging Friday until it happens, and I will acknowledge it on Saturday in Boston at one of 370 the sister marches across the country supporting the Women’s March on Washington, I am instead today writing about looking back.
This January marks the 6th anniversary of when I decided to stop a year of couples therapy and “take a break.” At the time, the 3 people in our family were seeing 4 therapists. I think the ratio for me and my ex was 3:1. We were getting individual therapy, couples therapy, and spending spend time with the kid’s therapist. The kid was getting off easy with just having to see one. Suffice to say, we were outnumbered, and on many days I felt outgunned. We were extraordinarily lucky that our insurance was paying for it all, and while I generally don’t have great things to say about health insurance companies, we were most certainly eating into their profit margins that year, and I did not get one nasty letter from them.
If you’ve ever been to therapy, you know it’s very time-consuming. The time spent in the office is just the beginning. It’s the hours of traveling to and from the appointment, the time spent processing all the damn therapy and doing whatever home work they assign you — hey, that 5 minutes sitting in the waiting room remembering what is was you were supposed to do for this session adds up over time. And don’t forget the hours when you sit on your bed and stare out the window, wrestling with the guilt that your kid is in therapy because of you, when you know for a fact that no other kids are in therapy because of their parents. It’s a wonder I had time for my job.
My then-husband and I had been in couples therapy once before when our son was around 2. Things improved for a while after that, but it didn’t stick. I should’ve known this second time wasn’t going to work either. We went back to the same therapist and while she remembered us, after a few sessions she confessed she couldn’t find the records from our previous time with her. And it wasn’t that she had purged her records. Oh, no, she had records from before us and after us, and where there should have our records, there was a big empty slot. I can’t think of a clearer signal from the universe, except maybe for that cartoon of the giant anvil falling on Wile E. Coyote.
I would even venture that the therapist was less than enthusiastic to see us, and many days she seemed kind of tired of us. Who could blame her? We were tired of us, too. We were also probably the most boring kind of couple for a therapist: no juicy infidelity, in-person or online, no meddling in-laws, no addiction issues to Pokemon Go or Netflix binging. Just plain old drifting apart and ineffective communication skills. We were actually highly skilled at being ineffective communicators, having honed it to a razor-sharp edge over 20 years. Yes, 20 years, so I find it amusing when divorce is described as a”failed marriage.” We were pretty good for about 8 years and had a great kid. Then things were rocky, and we decided to go to therapy round 1. That took about 3 years. Things got better for about 4 years and then they started the inevitable slide to the disconnection destination for 5 years. By my count that sounds a lot like life: some wins, some losses, and some what the hell are we doing here?
How many people even have friends for 20 years? Or a job? Or even piece of furniture? Do people call their couch that they are dragging out to the curb a “failed sit-upon”? Do people call a friendship that ends a failure? No, they probably say something like it “ran its course.” Hmmm. O, language, you tricky mistress. For the record, I have close friends who I’ve known for 20, 30, and even 40 years. So clearly I am a successful friend maker; it’s the marriage thing that mystified me.
So there I was armpit deep in personal therapy, couples therapy, and secondhand therapy from my son’s therapist. When it took my ex about 8 months before he could articulate what he was angry about, a vision of being in therapy for the rest of my life flashed before my eyes. That’s when I knew I couldn’t take it anymore. Of course I had to talk about it with my therapist first. When he suggested we take a break from couples therapy, my relief was so visceral, I nearly slid out of my chair. I was just so happy to have an open slot every other week, I forgot that “taking a break” pretty much means the same thing whether you’ve been dating for 5 months or married for 20 years. No one is fooled that it means something super good is coming after the “break.” Except me, but I was so overwhelmed with all the therapy, I didn’t think past that freed-up hour. My ex understood better than I did, and of course asked the inevitable question, “For how long?” In my head I said, “Forever. Is forever good for you?” Then I knew I was truly done with everything.
Six years later, and despite the election, I am currently therapy free (we’ll see how long that lasts), I have a great life, a great kid, my ex and I work pretty well together on his behalf, and we respect the separated lives we’ve created.
So go ahead and call it a failed marriage if you need to. I’ll say it ran its course, and maybe we can agree that I had a very successful divorce.
On Saturday, I, my friend Lin, and my son went on a road trip to Amherst, Mass., to see the Shakespeare Folio from 1623. It’s a printed book of his plays. From 1623. Think about it. It’s amazing. It was on display at Amherst College’s Mead Museum and we decided to drag my son with us to check out Amherst College, UMass Amherst, and Hampshire College. The college portion will be another blog, no doubt involving me mapping out college visits by student-only tours close to bars that open early.
Lin is a theater lover, author of her own fabulous blog, The Creative Part-Timer, and the genius behind the Tiny Colony (TC) in Boston, which alluringly combines the idea of a creative colony with the tiny house movement. I’ve been to TC and it’s fabulous, but little did I know TC can also go on the road. As we talked about our own college experiences on the trip, I unearthed one I had clearly stuffed up into the attic and is now coming to you in full blog color: Greek life.
To all of you who liked Greek life at college and actually got something out of it, congratulations. I was not one of you. When I started telling Lin the story, she, who has known me for 30 years, said, “I wouldn’t have thought you were a person who would do that.”
I’m not, which is how I got mixed up in it in the first place. I went to Boston University, and in the 70s it had kicked all the Greek organizations off campus. When I got there in the 80s, they were trying to make a comeback and four houses were sniffing around for recruits, two women’s and two men’s. My main interest in joining the yet-to-be-legitimized-sorority was to get invited to frat parties. The drinking age kept going up just a year ahead of me and alcohol was always just out of reach. So logically, one of my main college pursuits was procuring alcohol; who are you again? Alpha Phi? Sisterhood, alumni opportunities, blah, blah, blah. Oh, frat parties? Why, yes, I’m in!
And so for most of the year, I and two of my friends Gloria and Rosemary went along, getting our friends into the parties and attending meetings that I remember as mostly social and harmless. I’m fairly sure the whole thing was casual, otherwise I would have been suspicious sooner. Towards the end of the year, though, the group took a very disturbing and serious turn. Suddenly (or at least it felt that way to my frat-party addled brain) an adult from the national Alpha Phi organization was coming to anoint us, tap us on the head three times with a Greek wand, put a sorting hat on us, or some such thing.
The next thing I knew I was being blindfolded and led to a secret ceremony down in the bowels of a college building. I’d seen Animal House enough to think maybe it would be a cool thing, until the blindfold came off and I was sitting with a group of other 20-year-old women being sworn to secret handshakes and passwords. OK, historically women’s organizations were a secret because they were not allowed to exist. And I appreciate that reminder that women have struggled to be seen and heard. That’s cool. Still being secretive a 1986? Uncool. And dumb, like a slumber party for 13-year-olds. So we sat and had to swear to never reveal the secrets. Spoiler alert, the Alpha Phi secret handshake is squeezing someone’s hand to the syllables Al-Pha-Phi, Al-Pha-Phi: three quick squeezes, done twice. There were other secrets revealed, but honestly I don’t remember them. I was preoccupied with how we as women had worked so hard (and have to continue to work so hard) be seen and heard, and why the hell were we hiding in a basement swearing loyalty and drinking something out of the big goblet that wasn’t alcohol and passing it around? Just when I thought it couldn’t get any worse, they started outlining The Rules. In one minute we went from annoying 13-year-olds to feminist-destroying women. We had to agree that we would dress a certain way and act like “ladies” especially when wearing Alpha Phi crap.
Um, say what, now? I went to college to throw off society’s rules and find new ones. I became an atheist, I drank, I swore, I debauched, I wore ripped clothes and slammed against strangers to the Sex Pistols, I had a stint as the other woman. Why the hell would I want to pack all that back and cross my legs and wear “appropriate dress”?
I kept waiting for someone to jump up and yell, “Surprise! Gotcha! Just kidding! Let’s go drink!” But no one did. It should have been me, and I regret that I didn’t. I considered myself lucky to get out of there with my feminism intact. My two smarter friends bailed after that. But there was one more piece to this ghastly business: The Induction Ceremony. Requiring, of all things, a white dress. Never mind that I only come in two colors, pale and sunburn red, and look like crap in white. The real problem was how ridiculous this seemed to me. I assumed these women I’d been kind of hanging out with would all come to their senses, but they all fell in line and embraced this like a bunch of Stepford wives. Even me asking if anyone found this ridiculous made them look at me weird. Without my two friends as a buffer, I realized too late that these people were not my sisterhood.
But here’s the thing. Despite the fact that I thought it was ludicrous and hauled women’s rights back 30 years, I couldn’t throw off my family programming that quitting equals failure, even if it’s a goal you decide you don’t want to achieve. So I found a white dress, god knows where, and allowed myself to be herded to the high-rise apartment of the aforementioned adult representative of Alpha Phi, once again blindfolded. Seriously, what the fuck is it with the blindfolds? Were they getting us ready for Fifty Shades of Grey? There was white gauzy stuffed draped everywhere like we were in a bad sci-fi movie on a planet with a city in the sky. There was some pseudo-Greek babble, more shit about swearing loyalty to the sisterhood forever, and severe awkwardness as I realized I had nothing in common with these women. It was all I could do to keep from screaming. Then it was done, and I fled the spread of cheese and crackers and a punch bowl like the Moonies were after me, and went straight to my real friends to spill the whole thing.
For many years, Alpha Phi magazine still found me after every move, which used to creep me out, but nowadays is no more creepy than Facebook knowing you were looking at blindfolds on Adam and Eve.com. Also for a long time I was mad at myself for not being the person who stood up and said, “This is ridiculous.” But speaking up is still a work in progress for me, so I try to forgive myself. These sisterhoods should be teaching that shit.
But now I realize the real purpose was so I could write about it so fully now. If I had quit after the goblet and secrets, you would have been entertained/horrified by only half a story. So thank you Alpha Phi. I dearly hope you have moved on from the blindfolds, or at least are exploring more interesting uses for them.
I saw U2 in Boston on Tuesday night with my best friend and fellow U2 fanatic and her college-age daughter who wanted to come with us. Cuz that’s the power of U2, or at least the power of our passion for this band. Even a millennial wanted to see them. See, we’re too young for Woodstock, not into drugs enough for the Grateful Dead, and too old for…oh, yeah, right, there are no really great big new bands anymore. And that’s not just me being an old fart; I have that on great authority, my teenage son. There are great new bands, but the “big” part seems to have gone the way of the network TV. Lucky for us, U2 is still going strong.
Before Tuesday, I hadn’t seen Sonia in about 15 years and last saw U2 in 2005. Encountering both is like no time passing. Sonia and I met in college and bonded over our love of the band–they were just breaking out with their third album, War. It was a connection that launched 1,000 conversations about race, religion, and the meaning of life, and lest you think we’re too serious, there was a healthy amount of talk about boys, various vices, and rock ‘n roll.
I’ve been trying to write this post all week, but the thing is I could write a book about me, Sonia, and U2, or at least more than a blog post. And I think I will, eventually. But for now, I’ll just say, seeing U2 with Sonia was like coming home. They are in a reflective mood with this new music and we are too. Yes, they forced it on everyone for free. Get over it. I promise to hold my tongue when the new album from your favorite band I don’t give a hoot about shows up for free in my iTunes. In concert they also played a lot of the older songs we bonded over, and they are still making new songs that we both like. Use any cliché you like–transformative, moving, an affirmation. U2 has always been in sync with us. Every album says something to us, and we always have something to say to each other. This visit we talked about new stuff, and we reminisced about old stuff, some of it funny, some of it hard. But all good.
I posted a picture on Facebook of me and Sonia at the concert, and we’re screaming with joy and laughter. I could talk more about what it means to us, but the picture says it all. And that’s it– I loved catching up with her, loved getting to meet her awesome daughter who I babysat as an infant, and I loved hanging out with our U2 boys in Boston.
Sometimes, years later, with losses and loves, failures and successes, it’s as simple as a girl, her friend and their band.
Last week, I wrote about my love/obsession with the rock opera Jesus Christ Superstar (JCS), and this week is about my adventures skulking about the Boston area in search of productions. It’s performs infrequently—my fellow obsessed JCS fan Lora and I have only seen four productions in the past 15 years. There was a big tease last year when John Lydon (of Sex Pistols and Public Image Ltd fame) announced he was going to play Herod. That was as close to feeling religiously saved as I’ve ever come—my favorite punk singer in my favorite rock opera. But then he got sick and had to cancel, and it seems the whole project went circling down the drain. So while I continue to stalk Lydon on Twitter, pepper him with JCS related tweets, and hope for the best, the only other thing I can do is relive the memories of the previous productions to sustain me. Which is truly unfortunate.
The JCS journey starts with that black vinyl record of the original Broadway cast perfection: double album, paper sleeves with the lyrics printed on them, housed in a slim, but sturdy brown cardboard casing that back in the day made it stand out in the record cabinet among its slimmer brethren. Lora and I have since replaced it with the CD version. No matter what the source, that sweet singing perfection is the same, and I’m starting to think that may be our downfall. Humans have been able to sing these parts before, why can’t they again? But I’m getting ahead of myself.
Being a JCS groupie requires patience and stamina, and Lora and I have honed both. We have to scan all the theatre outlets regularly for JCS productions—they can show up anywhere, from community theater to Broadway. The net must be cast wide. Once JCS is detected, we contact each other immediately to clear calendars and get tickets. Our excitement builds as we anticipate the production and do a full listen of the CD, and quoting lines to each other begins in earnest.
Our first production was probably about 15 years ago at the Turtle Lane Playhouse in Newton. Having only the music in our heads to compare to, we were full of bright hope and anticipation. While we are devoted, we don’t expect perfection, and when Judas appeared in a leather jacket, we were cool with that. In fact it seemed rather promising. JCS is written to make sense in any time, so that was OK.
And then Judas began to sing.
A big Broadway-wannabe sound that strained the acoustics of the small community theater. Lora and I shot each other look, slightly panicked. We each took a deep breath, it was going to be OK. His voice was good after all, so that was something, and he was alone on stage, so maybe he was just starting out with too much nervous energy and he’d settle down. Maybe the leather coat was egging on the Elvis in him. We pushed back our seats a bit and sang along in our heads. And waited. The next scene involves most of the cast—the disciples, Jesus, Mary Magdalene, and Judas—and the voices were pretty decent standard community theater—Jesus was a little low on superstar wattage, but maybe he’d get better.
And then Judas sang.
A big Broadway-wannabe sound that blew all the other people off the stage. You could almost see them holding up their arms against him as if they were fending off a gale force wind. Lora and I looked at each other, now with a kind of despair settling in. And so it went. A not-so-superstar Jesus limping through his songs, Judas showboating all the other actors off the stage. I’m not kidding, in one scene he pranced across the stage and nearly knocked some the cast out of his way, like a demented version of Chorus Line.
And so began our tradition of going out after a production to deconstruct, console ourselves, and recover from a JCS production.
We had to wait a number of long years for our next opportunity, and the time did facilitate the healing process. We were so excited when JCS popped again as a professional production at the Wang Theatre in Boston. Yes! This would be the one to bring alive our beloved music. We listened to the CD, quoted lines, and let the anticipation build. And we think it was actually pretty good. Why aren’t we quite sure, you may ask? Well, in addition to being seated in the nosebleed section of the Wang, we were also seated near a disheveled woman with a large bag of loud snacks. There weren’t that many other people around us, so there wasn’t much a buffer. In between digging into her bag constantly and pulling out snack bags and crinkling them open, she sang all the songs even more loudly and obnoxiously than Lora and I do. We honestly didn’t know that was possible. After the intermission, we moved down a few rows to try to salvage the second half, which has our favorite Jesus/Pilate interchange about the Truth. But it was no use. Like the guilt Judas couldn’t shed, the Loud Singing Crinkly Bag Snacker dogged us the entire time, moving around to sit behind us, then on the side, over here, over there. Before we knew it the terrible sound of nailing Jesus to the cross was emanating from the stage. It was done and into her hands we commended our attention. At least she, also a clearly devoted fan, had a good time.
A few years later JCS came to Broadway. We were tempted, and maybe it was a mistake to miss it, but we were too afraid to spend all that money to see a professional version of the bigger-than-life Judas and smaller-than-life Jesus. Plus we’d be too far away from the comforts of home and family if it turned bad. Seeing JCS takes planning and foresight. And if they messed up the Pilate and Jesus scene, we might jump up to show them how it should be done, and getting arrested in NYC is something I try to avoid. So we passed on that one.
Another long drought led us to a production a few years ago at the Umbrella Community Arts Center in Concord. The long time between productions helps hope spring anew that this time will be different.
Alas, it was not to be.
Being more hardened now to the realities of how difficult a musical this is to pull off, we managed to get through the first half without too many panicked glances. True there was some subtle elbow jabbing at the now familiar overacting Judas and the Jesus who was more milquetoast that messiah. But if the Pilate and Jesus scenes were even half good, we’d be willing to forgive a stage full of sins. But the second half brought more misery, including a gratuitously violent scene where Judas committed suicide by putting a gun to his head. Right onstage and we saw him collapse. We’d hardly recovered from that poor direction choice when we were assaulted with something even more ghastly—post gunshot, Judas came out to sing the finale in shorts. Gold lamé to be exact. And his prancing about in said shorts put the Turtle Lane Playhouse Judas to shame. Believe me, you can’t unsee that. I can’t even go into the additional excessive violence that went into scene where they nail Jesus to the cross. The only thing missing was squirting us with fake blood when the nail bit into his hand. That was a tough production to recover from. The beginning of healing took the whole ride back from Concord to Boston, many drinks at the bar, and a number of follow up support sessions.
So that brings us to a few weeks ago. Lora’s girlfriend Crista saw there was a production for JCS at the Strand Theatre in Dorchester and alerted us. She had also seen the Concord production on a different night, but she was smart enough to have left at the intermission. She’s more of a community theatre advocate than a strict JCS fan, so she obviously has more sense than we do. She was game to go again, and we were recovered enough, so we got tickets. Surely it couldn’t get any worse than gunshots and gold lamé? Right?….RIGHT?
Oh, dear Jesus Christ Superstar, so wrong, wrong, wrong. Older, wiser, but still ever hopeful, we went through our routine. I downloaded the album on my iPhone and listened to it on the way to work. Lora listened to her CD while cleaning her house. We three went to dinner before the show and talked about some nuances I’d discovered on this most recent rash of listening. And we were careful with our wishes. We get that it’s a difficult performance. We get Judas is always going the be over the top. Could we maybe just get a charismatic Jesus this time?
We weren’t careful enough.
We sat down and saw the scenery of the bombed out buildings of 9/11 and exchanged a full-on, three-way panicked look. It was going to be a long night. We haven’t yet quite recovered from this production, and poor Crista took the brunt, not having been exposed to a director’s questionable choices as long as we have. But suffice to say, that Jesus was more charismatic, and Judas melted into the background. Mary Magdalen was a played by a man, and like the 9/11 background, it wasn’t well incorporated, so it just felt exploitative and sensational. The one good thing was that we only had to suffer for an hour and a half. The actors flew through the songs and skipped the intermission. They didn’t come out for a curtain call–not even one. We were in by 8 pm and out at 9:30. Flat. I doubt they were trying to minimize the terrible creative choices, so the only other logical explanation is that they needed to catch a bus. The number 16 bus runs once an hour at that time of night and was due near the theatre at 9:40. I think they made it.
We weren’t so lucky. We stumbled into a bar shortly after, glassy eyed and forlorn. Crista was having trouble speaking, and Lora and I couldn’t stop enumerating all the tragic wrongs. It almost made us wish for lamé shorts. Almost. We’re still recovering.
But as I was looking at the JCS website for this blog, I saw that there is a tour going on in the UK this summer and fall. The original recording was mostly Brits. Maybe they could do it right again. What could possibly go wrong? How could it get any worse? It’s in Cornwall in October. The UK is so lovely in the fall…http://www.jesuschristsuperstar.com/uktour/
I’ve written before about my religious disposition and how that whole Catholic thing just didn’t seem to take in me or in my family. In fact, one might say I ran screaming from being Catholic, except for one thing. I love the rock opera, Jesus Christ Superstar. Sure you could say I was only attracted to it because the Catholic Church banned it when I was first listening to it in the 70s. If fact, I’m not even sure how the record was allowed in my house or who bought it, what with my mother being a devout ex-nun and all. I think she didn’t realize it was banned until it was too late, and by that time she was just as hooked as we were on the thing. My theory is that since she spent her teen years in an all-girl Catholic boarding school in Canada, she was predisposed to reliving her adolescence during middle age. But instead of running off with a secretary in a red sports car, she started rocking out to Van Halen, J. Giles, and Jesus Christ Superstar (JCS). All the better for me.
Even after the church came around to endorsing JCS in 1999, that didn’t diminish my passion for, er, this Passion musical. I listened to that album multiple times annually for years until it was grooved in my brain as much as in the vinyl. Yes, vinyl; double album, paper sleeves with the lyrics printed on them, housed in a slim, but sturdy brown cardboard casing that made it stand out in the record cabinet among its slimmer brethren. It was the Superstar among the records. And with the Broadway cast perfection within arm’s reach who needed to see it produced? I didn’t see it performed until I was an adult—I’m not counting the movie made in the 70s. That thing is best left behind with random rituals like fish sticks on Fridays or, say, going over the gory details of a man’s crucifixion for three days straight EVERY SINGLE YEAR, just before you’re supposed to be celebrating spring and chocolate bunnies and colored eggs. I’m not much of a math person, but even I can see the three days of actual bloody gore to one day of rising up to some unconfirmed heavenly reward is not a favorable ratio.
But why JCS affects me goes deeper than that. The church I grew up in not only never put on a bad production of the Passion play, they didn’t put one on at all. I didn’t know churches even did that until I moved away. So in addition to never seeing even an amateur attempt to infuse some human emotion into the story, I got to hear, year after year, a lifeless, monotone recital of this gruesome tale. Add to that fact that we had Mass in the school gym because we’d outgrown the actual church, and you can see how I might be ripe for some JCS. I ask you, how can anyone really understand what Jesus and the clan are going through while sitting on gray metal folding chairs in an echoey concrete block gymnasium with the basketball boundary lines affixed on the shiny wooden floor? As the flat voices of the readers droned on, we didn’t even have stained glass windows depicting the crucifixion to console or inform us. I’m thinking even Jesus would have been a little pissed off. He’s been through the wringer for us, and metal chairs and a gym floor are all he has to show for it. No pomp, no circumstance, no maudlin statues. Just voices that sound like the teacher in Ferris Bueller’s Day Off.
And despite the lack of passion portrayed in my church’s depiction, at the same time—and this is where that Catholic guilt has been honed to perfection—somehow it was made clear to me that I caused his death. Jesus was getting beat up for me, specifically; the text is very clear on this part. Believe me, I was always looking for some loophole to pin it on the lame people of the time. No such luck. So there I’d be on Easter Sunday, trying to enjoy my chocolate bunny, but I couldn’t because I was feeling guilty and I was unable to dislodge the images of whips, piercing thorny crown, and banged nails from my mind. Instead I had to endure the mocking of the brightly colored jelly beans nestled in green plastic grass.
Is it any wonder that JCS saved me? It finally it gave me emotions to what otherwise was a violent tale told by zombies. The music made me finally realize that this wasn’t a boring religious story, This was a universal human story. I could understand the height of Jesus’s fame and the lows of his rejection, Judas’s struggle to control everything and then betraying it all when he couldn’t, and the dilemma of Pontius Pilot getting caught in the middle. This is a rich human story set to some ass-kicking guitar riffs. I’ll never have the faith required to forget three days of pain to revel in the euphoria of the Easter morning, but I can sing, “Die if you want to, you innocent puppet!” like a boss from Broadway Roman times.
And I often did when I was in church. My siblings and I would sing the responses, the JCS music running though our heads. “We have no king but Caesar!” we’d singsong a little too intensely and startle the parishioners around us.
So, yes, I was somewhat obsessed and other than my siblings, I didn’t really know anyone else who shared this obsession. If it ever came up randomly in conversation, which trust me it nearly never does, only a handful of people would own up to having heard of it. I’d get all excited and start quoting lyrics randomly and enthusiastically, which at best got me a blank look (“Look at your blank faces, my name with mean nothing ten minutes after I’m dead!”) Or a look of complete incomprehension (“What…do…you mean by that?”). Even Broadway musical freaks were of no use because they have super high standards, and let’s just say in musical theatre circles, Andrew Lloyd Weber ain’t no Stephen Sondheim. So after a brief excitement of hearing someone actually knew of the production, I’d have to endure crushing disappointment while they told me point by point why it was inferior (“Who…is…this broken man, cluttering up my hallway?”)
But then in my late 20s, I met my friend Lora. Fairly early on in our getting to know each other, one of us said something about truth. And without skipping a beat the other one said, “And what is truth? Is Truth unchanging law?” And then we both answered together, “We both have truths, are mine the same as yours?” And we have been quoting JCS to each other ever since.
It was only a matter of time before we started seeing productions of it together. Yes, I said productions. We’re JCS whores—if a theater puts it on, we do our best to be there. It’s not quite as popular as, say, Annie, though, so we’ve only gotten to see it four times in the last ten to 15 years, but that’s a blog for another day. Next Monday to be exact, so stayed tuned for a tour of the Boston area JCS productions. Spoiler alert. It ain’t pretty.
Edit credit: Thanks to Lora for helping me sort through all the ideas in this post and for being as obsessed with JCS as I am.
Photo credit: This still from the movie should make it clear why you should never see it. http://sf.funcheap.com/singalong-jesus-christ-superstar-chunky-jesus-contest-sf/
Here we are at the end of the year when those of us in the entertainment industry run out of funny steam and cover it up with top 10 lists. Because I really want to push up the volume, I’m going for the top 11 posts. I was going to list a mix of posts that WordPress stats tell me you liked and add some of my own personal favorites. But as I reread them I realized I had a lot of fun writing most of them, so it’s too hard to pick. Plus, if you don’t like the list, you only have yourselves to blame.
Thank you for hanging out with me this year, and I promise more shenanigans in 2015. Have a happy new year!
11. Black Lives Matter Thanks for reading this one. It was a bit of a departure for me and more serious, but something I needed to write.
10. I would Have Gotten Away with It if It weren’t for that meddling Hamster, Who knew a hamster could be such a rich source of blog material? As a follow-up to this post, yes, he did need surgery, it cost a bundle, I learned that there is actually hamster medical literature, and he is still with us to ring in 2015. More Hamphrey posts to come!
9. Real-Life math Sucks. It still sucks, but I got to let off steam about my divorce and laugh at math, so it’s all good!
8. Let’s Do Things Without Shoes. This was the oldie, but goodie–misheard lyrics. I had a lot of fun reading people’s responses to this one.
7. It’s All About Me, Hannah. Alas, I never did get Lena Dunham to comment on this or respond to my tweet about it. I’ll increase my celebrity social media stalking next season.
6. California Steamin’ I wrote about two East Coast friends who left me for the Left Coast. I saw one at Christmas and I am happy to report he still has his Masshole chops. To the other one, who still hasn’t read this post and is from New York, I say, Boston’s bettah and Yankees suck!
5. A Funny Thing Happened on the Way to Divorce. If your divorce isn’t funny, please feel free to laugh at mine.
4. I’m Sexy (if Only in My Head). Perhaps it’s bad taste to be amused by your own writing, but this one still cracks me up. It made the top 5, so both you and I have excellent taste.
3. Radishes, Carrots, and Kale, Oh My! I love that this post is the third most popular and it was the second one I wrote this year. Foodies and their gastronomic obsessions are all over the blogsphere, but I’m a Cheez Whiz and Parmesan-in-a-can girl, as this post proves. Seems like I can work with that.
2. Thanks a Lot. I was surprised by how much the “kid table” really resonated with people. I also need to add a post script about my brother. For the record, I was describing our holidays from 20 and 30 years ago, because I’m a bratty youngest sister and that’s how I roll. He actually has been attending our holiday get togethers in recent years and seems to enjoy himself (as much as anyone can when they are with their bratty younger sister for more than 24 hours).
1. And what continues to be the Number One, most visited piece on my blog? Yes, It’s still that crazy serious piece I did about women and shaving many years ago. Shaving, Waxing, Electrocution: A Primer on Women’s War on Hair. So much for my humor ego. Go figure. Next year, I’m leaving that thing out of my stats or will try to sell the movie rights to Seth Rogen.
See you next year!